How can we ensure that vocal education and pedagogical approaches address performance realities? Vocal education in the future will necessitate a better understanding of the experience and needs of voice students and performers. In this paper, I consider this question by focusing on exploratory research I have conducted on the experience of contemporary Australian female vocalists. This research provides information on five key areas: career development and early influences; the role of music education; vocal problems and vocal preservation; possible barriers to participation; discrimination. Interestingly vocal education in the practice of styles, techniques and knowledge of popular music was seen by most respondents as important - even for those who themselves had had limited formal musical education. However, a majority of respondents also felt vocal education needed to do a better job of imparting an understanding of the nature of contemporary vocal practice and its industry settings. As music educators, we will need to meet this challenge, particularly within technology-intensive institutions.
Conference paper
Vocal education and performance realities
National Council of Tertiary Music Schools, Griffith University
Creating musical futures: challenges to music education in the 21st Century : National Council of Tertiary Music Schools Conference (Byron Bay, NSW, 30 June - 2 July)
2001
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Abstract
Details
- Title
- Vocal education and performance realities
- Creators
- Leigh Carriage - Southern Cross University
- Conference
- Creating musical futures: challenges to music education in the 21st Century : National Council of Tertiary Music Schools Conference (Byron Bay, NSW, 30 June - 2 July)
- Publisher
- National Council of Tertiary Music Schools, Griffith University; Brisbane, Qld.
- Identifiers
- 1434; 991012821724302368
- Academic Unit
- School of Arts and Social Sciences; Faculty of Business, Law and Arts; Creative Arts
- Resource Type
- Conference paper